Will Schuester: "Come on, Artie! *wheelchair grab and spin*"
Me: "AUGH! AUGH!"
My housemate: "Karen! What's wrong?"
Me: "SO MANY THINGS."
ETA: Stop trying to distract me with a shirtless Noah, show! I am not that base*!
*LIES.
Me: "AUGH! AUGH!"
My housemate: "Karen! What's wrong?"
Me: "SO MANY THINGS."
ETA: Stop trying to distract me with a shirtless Noah, show! I am not that base*!
*LIES.
- Music:Mrs. Potter's Lullaby - Counting Crows

Comments
You and me both, sister. *throws popcorn, and not in the good way*
If the singing was better, it might be some tiny consolation, but it's every kind of awful.
Edited at 2009-10-22 09:56 am (UTC)
*sigh*
Now I hate Glee. Which is a shame, because I haven't seen it yet. I am pre-seething.
Which is an admittedly weak excuse.
Here's what I can't figure out - WHY CAN'T HE HAVE AN ELECTRIC WHEELCHAIR? People who have full range of upper body movement get electric wheelchairs! It happens! Especially if you're underage and you probably get some kind of government subsidy.
He'd be moving faster than everyone else! Problem solved!
Also, my fiance says they should let him sing more often. But I'm thinking they best address poor Tina's lack of solos or even dialogue before they get to Artie. Yeesh.
(I still love this accursed show, BTW. Can't help it!)
Which teenagers get subsidies from where for a powerchair when they have full upper body strength and arm movement? It seems to verge on impossible for people who need powerchairs to get them, let alone people who don't.
I'd like to see Artie run over Mr. Schu's toes. Repeatedly.
Now that I think about it, I realize that in a couple of places in Knife I have a wheelchair-using character being pushed around without explicitly mentioning that he's given consent, but I hope it comes across that he's not the kind of guy who would meekly endure having other people push his chair if he didn't want them to. Certainly he shows himself to be physically active and capable in many other scenes... Still, now that I realize I didn't make it absolutely clear that it's not cool to just push someone because they're using a wheelchair, it's kind of bothering me.
I blame Madeline L'Engle and her character of Matthew Maddox in A Swiftly Tilting Planet for making me determined to write a wheelchair-using hero who could be the romantic lead and do action-type stuff. I loved Matthew, but I hated the way his part of the story and his relationship with Zillah turned out, and it just sort of boiled in me all through my teen years and into my twenties until... voila.